I should preface this by writing that I'm generally not a fan of sci-fi. I like the ideas, but find the writing is often very predictable and flat.
For the first half of The Ministry of Time it felt like this was one of those rare times when the genre offered something more. Kaliane Bradley has written an unusual time travel book that explores post-colonialism by introducing historical Empire to the 21st Century. The narrator has Cambodian heritage but seems more 'empire' than empire itself.
The ideas were good, but the second half of the story unravels, filled with uncomfortable action movie tropes and predictable characters. It's also too long, outliving its better concepts. In the end I lost all interest before the predictable conclusion.
I liked parts of the book. In places, however, I felt the book was not thought through to the end. And for me there were too many stylistic breaks in the main character's text passages as well as blocks were things seemed to be missing in her train of thoughts. I also felt that the change in her moods was not well described stylistically, but seemed more like something that was put in to emphasize her character but was not done in a progressively well done way. The course of the plot itself was also not sufficiently logically explained to me in some places, but seemed erratic.
In general, I felt that the written portrayal of the main character and her emotional actions and reactions, which were strongly based on (supposed) logic, and her rationalized, sometimes fashistiod attitude and decisions were well portrayed. However, …
It's rather 2.5 stars.
I liked parts of the book. In places, however, I felt the book was not thought through to the end. And for me there were too many stylistic breaks in the main character's text passages as well as blocks were things seemed to be missing in her train of thoughts. I also felt that the change in her moods was not well described stylistically, but seemed more like something that was put in to emphasize her character but was not done in a progressively well done way. The course of the plot itself was also not sufficiently logically explained to me in some places, but seemed erratic.
In general, I felt that the written portrayal of the main character and her emotional actions and reactions, which were strongly based on (supposed) logic, and her rationalized, sometimes fashistiod attitude and decisions were well portrayed. However, her room for maneuver or lack of maneuver due to her strong self-centeredness also leaves many questions unanswered about the structure of the ministry and its power and environment. In my opinion, there were discrepancies here in particular between the developments hinted at and the way they were handled (for reasons of course, that the reader learns later on, but still seems a bit off at parts), but even this was not elaborated enough to avoid ending up in speculation.
The comparison between the forlornness of different types of immigrants was niceley done, but also here, the lack of deeper talk of her Dad and his influence on her mother and thus, possible grounding effects of him in comparison to her and her charge, fell short.
All in all, an interesting approach that unfortunately didn't talk enough about the background (e.g. why were there still resources to build the machine, ...) and that has left too much in the way of possible alternatives and plot developments for possible speculation.
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who …
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect assumptions about the other. One other way this relationship also works for me is that it lets the book delve into the parallels of being an expat forced into a new time versus a new place work really well, or of not being be able to go "back".
However, the construction seams of this novel show, and that's where it gets weak. The more "serious" time travel and time war shenanigans feel tacked on, and thematically don't really integrate with the rest of the story (tonally or thematically). As a time travel story, it's not doing anything particularly novel here, and these bits weaken the rest of the novel.
Time travel - if considered a genre, is a favorite of mine. (I especially enjoyed The Psychology of Time Travel and If/Then). I found this was such a cool premise, having people return from centuries past and see how they adapt to the modern world, however, it was slow going. For me it picked up a little toward the end.
Time travel - if considered a genre, is a favorite of mine. (I especially enjoyed The Psychology of Time Travel and If/Then). I found this was such a cool premise, having people return from centuries past and see how they adapt to the modern world, however, it was slow going. For me it picked up a little toward the end.
Time travel stories usually follow the exploits of someone rocketing through time to change history. This person ponders the various time travel paradoxes or wrestles with the implications of an ever-splitting multiverse. All of which is to say that Kaliane Bradley’s The Ministry of Time is a unique look at the perils of time travel. Instead of travelers deliberately injecting themselves into history, a mysterious British Agency has used a recovered time machine to “rescue” five Britons from the past from their inevitable deaths by pulling them into a future ravaged by climate change. Our narrator is one of the few civil servants in on the secret, selected to help acclimate one of the “expats” to life in the twenty-first century...
Read the rest of my review at A Bookish Type. I received a free copy of this book from the publisher via NetGalley, for review consideration.
