Fionnáin wants to read Fungi by Silvia Moreno-Garcia
Added as 'to read' after reading the review by @cblgh@bookwyrm.social
I arrange things into artworks, including paint, wood, plastic, raspberry pi, people, words, dialogues, arduino, sensors, web tech, light and code.
I use words other people have written to help guide these projects, so I read as often as I can. Most of what I read is literature (fiction) or nonfiction on philosophy, art theory, ethics and technology.
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Added as 'to read' after reading the review by @cblgh@bookwyrm.social
Philosopher Despret has an extraordinary ability to shift perspectives on any given topic. Usually her writing centres on how we observe animals or other nonhuman critters, and where bias comes into this. Here, she follows a different path, similarly considering how rationalistic philosophy influences behaviours, but instead applying it to grief. Anchored with chapters about her own search for information about a great-granduncle who died in a train crash, Despret combines philosophy and stories from oral research about how people communicate with the dead.
As always, Despret seems to open up cracks and bring us deep into them. The writing is immaculate and spins a good yarn, but it also asks deep questions. Essentially, it begins to position a person's death as a moment in their life, not necessarily the last one. But the performance after death might not include that person directly (they are 'instaurated' instead). This idea fascinates …
Philosopher Despret has an extraordinary ability to shift perspectives on any given topic. Usually her writing centres on how we observe animals or other nonhuman critters, and where bias comes into this. Here, she follows a different path, similarly considering how rationalistic philosophy influences behaviours, but instead applying it to grief. Anchored with chapters about her own search for information about a great-granduncle who died in a train crash, Despret combines philosophy and stories from oral research about how people communicate with the dead.
As always, Despret seems to open up cracks and bring us deep into them. The writing is immaculate and spins a good yarn, but it also asks deep questions. Essentially, it begins to position a person's death as a moment in their life, not necessarily the last one. But the performance after death might not include that person directly (they are 'instaurated' instead). This idea fascinates me, and I love how it is threaded together. A couple of later chapters on séances and communing with the dead carry interesting moments but don't hold the argument as well as the others, but overall this is another golden book from a philosopher who influences me every day.
I admit that I expected not to be completely taken with this book before I even began it. I am seeking some information on the history and manufacture of fibre-optic cables, and this was the only book available through my local library. The sub-title told me that it is a very US-centred book, and this proved to be the case. So while this is not for me, it might be the perfect book for someone interested in that case.
The style is journalistic and moves at an OK pace, although some of the anecdotal cases used are not really very interesting. The first two chapters tell of a journey to South Korea and then to New York to see a fibre-connected rural place in the former, and the manufacturing process in the latter. Beyond this, Crawford pushes a policy perspective, insisting from a US standpoint that fibre-optic is as important …
I admit that I expected not to be completely taken with this book before I even began it. I am seeking some information on the history and manufacture of fibre-optic cables, and this was the only book available through my local library. The sub-title told me that it is a very US-centred book, and this proved to be the case. So while this is not for me, it might be the perfect book for someone interested in that case.
The style is journalistic and moves at an OK pace, although some of the anecdotal cases used are not really very interesting. The first two chapters tell of a journey to South Korea and then to New York to see a fibre-connected rural place in the former, and the manufacturing process in the latter. Beyond this, Crawford pushes a policy perspective, insisting from a US standpoint that fibre-optic is as important to rural places as telephone or electricity were in the 20th Century. This comes from a techno-utopic perspective, and while I agree that a fibre roll-out does benefit rural places (I live in such a place, and it is a massive advantage for work), there is a distinct lack of critique about who and what this 'progress' advantages. Big claims such as that inequality can't be fixed without fibre-optic internet may at least do state that technology is not the only factor. Yet such claims are from a perspective that never seems to consider any negative to such connectivity. Perhaps the negatives are not there, but I prefer to see some critique in a text like this.
Wanted a book about the history of fibre optics and this was the only one I could find in the library.
WH Russell was a journalist for The Times in 1865, when he was asked to join the crew of The Great Eastern as it travelled from Valencia Island, Ireland to Heart's Content, Newfoundland, trailing the fifth attempted transatlantic telegraph cable.
As a journalist, Russell was a storyteller who enjoyed drama and details. Early in the book, he goes quite deep into the technical side of the cable, the materials involved, and the people who made it all happen. The later chapters are particularly enjoyable as a living descriptive memory of event, beautifully describing storms at sea, how the engineers responded to problems, and how people ashore celebrated the voyage, and lamented its failure. The effort was a fifth cable lost at sea, but laid the groundwork for a success the following year, and the fifth was later dredged from the sea floor and made active so the journey was far …
WH Russell was a journalist for The Times in 1865, when he was asked to join the crew of The Great Eastern as it travelled from Valencia Island, Ireland to Heart's Content, Newfoundland, trailing the fifth attempted transatlantic telegraph cable.
As a journalist, Russell was a storyteller who enjoyed drama and details. Early in the book, he goes quite deep into the technical side of the cable, the materials involved, and the people who made it all happen. The later chapters are particularly enjoyable as a living descriptive memory of event, beautifully describing storms at sea, how the engineers responded to problems, and how people ashore celebrated the voyage, and lamented its failure. The effort was a fifth cable lost at sea, but laid the groundwork for a success the following year, and the fifth was later dredged from the sea floor and made active so the journey was far from wasted.
The prints by artist Robert Dudley bring the words even further to life, and give some idea of scale that the words could never manage. He was a brilliant collaborator and deserves equal credit on this book.
Arthur C Clarke is surely most famous today as a science fiction author, so it came as some surprise to me that he was not only an accomplished nonfiction author, but also an academic whose thesis on satellite communication laid the groundwork for all satellites today. As a writer, he uses a playful and heroic tone, like Bill Bryson or similar authors who value delivery of information over cold, hard facts.
The writing throughout is very accessible and mostly enjoyable. Starting with the story of the first few transatlantic cable attempts and their failures, Clarke tells the story up to the eventual successes and on into the 20th Century telephone cables and radio satellites. He writes with humour and wit, creating characters from historical figures, although he did tend to sugar-coat many of these people, or denigrate some, making heroes and villains of historical figures. To his enormous credit, Clarke …
Arthur C Clarke is surely most famous today as a science fiction author, so it came as some surprise to me that he was not only an accomplished nonfiction author, but also an academic whose thesis on satellite communication laid the groundwork for all satellites today. As a writer, he uses a playful and heroic tone, like Bill Bryson or similar authors who value delivery of information over cold, hard facts.
The writing throughout is very accessible and mostly enjoyable. Starting with the story of the first few transatlantic cable attempts and their failures, Clarke tells the story up to the eventual successes and on into the 20th Century telephone cables and radio satellites. He writes with humour and wit, creating characters from historical figures, although he did tend to sugar-coat many of these people, or denigrate some, making heroes and villains of historical figures. To his enormous credit, Clarke was clearly deeply knowledgeable on communications technologies, forming links that only a very well informed author could.
Like many books of the past (this was originally published in the 1950s), it is a relic itself and is both interesting as a research work and as a snapshot of how a male British writer thought at that time. As such, he also includes some howlers of "jokes" that would have been unacceptable to many in the 1950s and are totally abhorrent now (such as one about the poor behaviour of a Chilean "Indian" boy, for example). And I don't remember a single mention of any woman in the book, even to acknowledge their keeping families of all of the "important men", a shortcoming I'd hope would not happen today.
Marlene Creates is one of Newfoundland's most celebrated artists. Now late in her career, she has turned a small forest into an ongoing artwork, and invites people to go on journeys in its arboreal depths. In this publication, she documented every different type of ice and snow in the Newfoundland vernacular in word, short poetic response, and a photograph. Released at nearly the exact same time as Robert MacFarlane's Landmarks, Creates was clearly on the wavelength of that particular zeitgeist. Brilliant work.
This is the fourth in the Kinship series of five books ambitiously published and offering five different curated selections of writing on what kinship means. Persons is focussed on the idea of a person, what that means, how it affects being kin with one another and with a wider earth.
The breadth of voices here is admirable, and most of the essays and poems are excellent. I have had issue with this series for a few reasons, notably the extremely US-centric perspectives in two of the three I have read so far. While this book is also predominantly US-based writers, the array of cultures and perspectives on show is admirable and also enjoyable. I particularly appreciated Shannon Gibney's interview on being trans-racially adopted, and Liam Heneghan's playful and poetic view on being human. This was the best in the series so far for me.
When researching the transatlantic cable, I was surprised to learn that Arthur C Clarke had written a book on it. I was also surprised to learn that he had been a naval officer and had written a considerable amount on technological history of the sea. Luckily, the national library service had a copy of this so I got it out.
Blindness tells of an epidemic where the world sees white. The result is a societal dystopia, first in quarantine and then in a world of the blind. Food is scarce, filth is everywhere, and any small injury could be fatal.
José Saramago was one of a kind, a unique storyteller and gifted artist who always had something to say, and always said it with such a brilliant prose, translated with equal skill by his two main translators. This is among his best books, an example of how he can make the societal personal, and can make even a very unlikely story seem deeply real and troubling.